Sunday, August 31, 2014
Saturday, August 30, 2014
36" x 23", acrylic and collage on panel
August 2014, available
I eat a lot of fruit. It is typical for me to have 5-7 servings a day. This particular Friday I sat in front of the board eating a brown pear, trying to conjure up a great image, asking the painting what it wanted to express. Which variety of pear it was, I'm unsure. A Google search provided no definite answer.
This time I chose to forego my pear-honey-brie concoction and instead ate the pear in it's naked state. I have a habit to buy one new produce food a week in order to experience something different and was excited to try this pear.
But oh it was so bland. I sat in front of my new piece with the pear wondering
How can this be?! Pear dreams shattered. Layer upon layer began to build over the following weeks as more and more fruit was devoured.
I see a peach made it's debut as well.
Pear-Honey-Brie speaks of trusting and working with one's own body cycle and shape. It's about forging ahead through cranky days and making the best of every situation.
Pear-Honey-Brie is showing at Shade West Gallery at the Renaissance Hotel in downtown Phoenix September-November 2014. Artist Reception is Saturday, September 20, 5-8pm
Lisa's website: www.lisaalbinger.com
Monday, July 28, 2014
Yesterday's Charm and Today's Clever Chaos
35" x 24", oil, acrylic and collage on panel
July 2014, available
After a few revisions, Yesterday's Charm.. is now complete. With this piece, this series has unexpectedly turned a corner, which I welcome. It is a meeting of the minds.
Her Words Make My Skin Crawl, but I Still Like Her Hair
38" x 25" oil, acrylic, collage on wood
True Story. This is part of the Intestinal series, however I've diverted onto a second path due to the spoken words of an author who made me cringe. A lesson of growth for sure, and ironically the inspiration of my current work. Meant to be? Of course.
Friday, July 25, 2014
The end of July brought an unexpected meeting with singer Tori Amos (on the right). We've met a number of times over the years but this was the first time we were photographed together.
In 2008 I posed as her for artist Mike Dringenberg for Tori's annual RAINN benefit calendar.
On this day she took home some of my greeting cards: Shortbread Serenade, The Heatmeister, Tea for Two, and Set the World Right. Inquire for card availability.
Monday, June 30, 2014
Sunday, June 8, 2014
Phoenix Artist Lisa Albinger: 100 Creatives
By Becky Bartkowski Mon., Jun. 2 2014 at 9:00 AM
|photo credit Xomiele|
|Meet artist Lisa Albinger.|
Forget going international, Lisa Albinger's going intergalactic.
Well, sort of. The artist's work combines collage and painting, and you might've recently spotted it at R. Pela Contemporary Art or Mesa Contemporary Arts. But on Friday, June 6, 20 of her pieces will be presented inside Dorrance Planetarium at Arizona Science Center.
|Albinger's painting Louis Bee K is a playful take on the comic.|
To the moon? Not quite. But over it? Sure.
I came to Phoenix with a feeling that the desert would expose me to a deeper awareness of myself and the world. And it has.
I make art because it's how I'm able to articulate my language. If I wasn't an artist I'd probably be mute.
I'm most productive when I get out of my way, follow my intuition, and just paint whatever comes up. I'm least productive if I plan it all out.
My inspiration wall is full of magazine photos of women in elaborate attire, a postcard of Degas' The Absinthe Drinker because that image has mesmerized me since college, and a photo of Frank Lloyd Wright.
I've learned most from my dog, honestly. Every day I fail a lesson and need to start over.
Good work should always open peoples minds. Good work should teach. It should make people think and feel. And it should always come from the gut.
The Phoenix creative scene could use more professionalism and art collectors. Our modern society needs to breed humans who understand the importance of collecting original art. It has nothing to do with money. If you want something enough, you'll find a way to get it, whether it's a hamburger or a Mercedes. The internet is visually overloaded and 'liking' an image has replaced committing to purchasing an original piece. A print will never hold the power and intensity of an original. Ever. I own original work of other artists and my goodness, it excites me. I don't have my own work up in my home, but the work of other artists and that means the world to me.